Friday, December 2, 2011

Conditioning

I enjoy the challenge of making a good comparison, especially when the subjects appear to be distant from one another. 

The first article, published two weeks ago, was a fairly detailed and controversial profile of Rafael Viñoly's Sunday routine : 

The second article, published in today's Times, detailed the culture and evolution of internet startup Zynga, as well as its relationship to the highly competitive tech company industry : 

Aside from its bizarre self-consciousness, the first article is troubling not only for the way it portrays architects, but also because it illuminates the broadly accepted agreement to exploit and be exploited. The relationship between the two lies in the subtext of the second article, wherein it highlights how one industry has enough self-respect to put exploitation to the front of its internal disciplinary conversation. 

Our internal discussion regarding exploitation and professional disrespect seems to remain in the coffee shop, at the happy hour, facebook, at the kitchen table, etc. Hungry architects have ambitions, and "relevant" architects have given us permission to join them. This pattern is rationalized by the tired argument that the agreement benefits both parties. Young architects have been finely tuned to accept this as their fate, and the echo chamber does nothing but reinforce it. 

The point is, the tempestuous character of Zynga, having been exposed and judged by industry insiders and now the general public, is now being rightly cast as a liability. Nevertheless, as I read the article, I caught myself thinking, “So what? Get over it.” 

Obviously, the disciplinary conditioning has been thoroughly successful. 

Here lies the problem. Viñoly's opulence and self-aggrandizement masks the day-to-day tragedy (yes, tragedy) that plagues architecture. The real problem lies beneath the top-heavy public image of the architect. The industry “leader” vacillates between his piano fetish and brazenly abusive office structure and back again. Meanwhile within the boundaries of another group of similarly creative, talented and ambitious individuals there is a willingness to reject the notion that one must suffer to do relevant work. 

Companies on the periphery of Zynga know they can lure talented individuals away from Zynga by merely sending them cookies? I suppose it should come as no surprise I’m dumbfounded that a talented employee would not put up with being undervalued and underpaid and abandon their employer as soon as someone else presented even the slightest interest in their well-being. Our impulse is to look for excuses to stay put, because ... well, I guess the alternative is worse? Who are really being loyal to, anyway? 

When a young architect stands up for themselves they are cast as a “brave” or “admirable,” or even “admirably reckless.” When another talented tech geek puts their foot down they’re seen as “pragmatic” and “normal.” What can we work to alleviate this problem? We cannot solve it overnight, but how can we work to spread awareness? Conversely, is it beneficial to have our responsibilities reduced and our ideas stifled by a rigid hierarchy? Also, have we substituted “pleasure” with “labor”? 

Sunday, October 30, 2011

Altruism.

I'll take a crack at initiating the discussion.

There is clearly a growing interest in the subject of architecture's relationship with promoting social change. Plenty of examples exist. The shortlist for the recent MOMA PS1 included offices whose work aspires to fulfill the needs of social housing and poverty reduction. GSAPP's Buell center organized the upcoming MOMA exhibit around housing issues in sprawling corners of the US. Studio Unite at GSAPP is involved in housing projects in Haiti and Nigeria, while several of us have engaged in similarly socially active projects like Young New Yorkers and Project Intersection. Essentially, humanitarian design is catching hold, perhaps evolving out of the folksy Samual Mockbee-style design-build and embracing the possibility of fulfilling larger-scale ambitions.

The scary thing is we've been down this road before, and there are plenty of examples where the parties involved failed to fully execute their visions. Modernism drifted away from its foundational social ambitions, and Postmodernism promoted a superficial reading and built translation of local heritage, and reduced these historical narratives to clumsy, stylistic tropes. It seems we have even more examples where the architecture or master plan caused more problems than it solved, which is to say they fulfilled their ambitions to construct a piece of architecture that would ideally serve as an "agent" but fell terribly short of all positive expectations.

So what's next? Is resurrecting altruism and social change a good thing or a bad thing? What will architects, urban planners, investors, heads of state, city councilmen, etc. do correctly, and what mistakes will they (we?) make all over again? Taken further, what are the limits of architecture in a world where global capital transgresses the boundaries of the nation-state, thereby tethering seemingly isolated cities to one another? In other words, is the current rapid pace of urbanization and social change happening so fast the the architect is left in the dust? Also, what happened to green architecture? Has this been replaced by something new, shapeless, or even worse - beyond our reach as designers?

I have my own thoughts about what our role should be in these situations, but I'm curious to see what people are currently thinking, especially since we no longer suffocated by the sleep-deprivation-induced-fog of GSAPP.

Sunday, October 23, 2011

BEGINING

"A first attempt by anyone, at anything, is always thought through as a balance of the most prosaic as well as more abstract (that is, openly ambitious) kind. it is always undertaken by someone operating in the here and now, but with on eye simply directed towards the future, for the simple reason that at this unique stage of a career (then and only then) there's simply no looking back"...
That this division between matters practical and theoretical has taken root in architecture despide the apparent glimpsing of this threat by so many of the bright lights included here, makes today's nearly institutionalised division of practical and theoretical labour in architecture a situation more poignant (i would souggest) than it is ironic...

Steele, Brett, and Gonzalez De Canales, Francisco. First Works: Emerging Architectural Experimentation of the 1960s & 1970s. London: Architectural Association, 2009. Print